| It’s just an old barn next to a busy road. Four tall walls and galvanized metal for a roof. Logs make the structure’s base. Main body finished with milled lumber. It stands empty and watches cars go by. |
Built as a workhorse, a pioneer during the beginnings of agriculture in Fairbanks. Now it leans and sways and shows daylight where it shouldn’t. But the boards have aged handsomely sporting a fine grain of oranges and browns like an expensive tweed jacket. A well used jacket with patches. o
Front door ran off a long time ago leaving a light orange scar to the right of the opening. It must have been a stormy affair with a windy suitor that left it in ruins after making false promises.
Barn stands solemnly watching fields still being worked. Glory days remembered when it could show those young whippersnappers a thing or too about farming. Proud metal roof still protects it from snow. Glaring back at fierce winter storms, shakes a defiant silvery fist in triumph.
But wait, there is another building very close. A shy little log cabin. It’s easy to overlook because it’s slowly sinking into the soft muck of permafrost. These two were partners before there were new-fangled automobiles whizzing by on the road in front of them.
Boards rock back and forth. Wind whistles though their tired rumpled bones telling the same stories over and over in scratchy voices. These two sourdough pioneer buildings sit together and rock away their days.
Who Built the Barn and Cabin?
His name was Desjardins. Desjardins means ‘the gardens’ in French. Charles Dejardins was French-Canadian. He spent his savings on a train ride from St. Arsene, Quebec to Alaska with plans to make his fortune in the 1898 gold rush. He almost starved but landed in Fairbanks. The last stop before returning home in defeat.
An idea occurred to him and it grew into a cabin and barn outside of town. He noticed it took months for food to reach Fairbanks. In 1910 steamers and riverboats couldn’t bring fresh greens without spoiling. But Charles Desjardins could grow them. He found his gold in the soil, cultivating it. Fresh green produce.
He chose a fine parcel of land and cleared the trees. Built a tiny log cabin so it would be easy to keep warm. The barn took more time. Started with a log base and finished the structure with milled lumber until it stood stately behind his cabin in triumph.
Charles brought nuggets of wisdom about farming from his home in Quebec. Profits from his first mother lode of fresh produce (plus hay for their horses) set him up for the winter. Lush greens were a precious commodity to his adopted Fairbanks community.
One hundred years later, bare bones of barn and cabin still stand at 2.5 mile Farmers Loop Road in Fairbanks. Boards sag and groan with memories of long, cold, lonely winters followed by intense grueling hard work during summer days.
These building remnants aren’t a sad sight. Not at all. They are a symbol of accomplishment. A flag of encouragement. Symbolic of the Alaskan spirit that endures hardship and succeeds against impossible odds.
Charles found his gold by providing for the people in his community.
I have a New Big Goal. It excites me. It is daunting and a little frightening. I’m not even sure how it will be accomplished but the thought of it thrills me.
I want to paint BIG polar bears.
My first thought was to paint a large bear on the outside of my house. I may still do that but right now I am focused on creating large 6′ x 4′ panels.
I’ll need to use my big brushes. Claude Monet used to tape his brushes to long tree branches so he could stand back and paint his water lilies. Hmmmm.
I need space. I’ve cleared many things out of my studio. I am ruthless with all the stuff that accumulates.
My goal may take a year to accomplish but it is a good challenge.
I recently completed a 4′ canvas with a large bruin luxuriating in the snow. My bears are growing larger and larger with daring brushstrokes. I’m pushing the color to portray the wildness. I’m eager to see where the pursuit takes me.
I’m still painting bears that are a more traditional size. I may even do some mini ones just to keep things interesting.
My big bears won’t be living on standard canvas. I’ve discovered a new fabric this summer that I am experimenting with right now. I’ll share more about this development later.
Moving forward. He’s coming right at us. I love the interaction of the colors and the feeling of electricity in the air.
The deep dark cold contrasting with the warm sunlight and warmth from the polar bear’s body is the subject of this painting. He must generate warmth to fight off the arctic temperatures.
Climbing up the riverbank reveals the remnants of cabins. Each one whispers a different story. Carefully placed logs sink into tundra.
Where should I paint?
A winding path takes me to each home and deepens my understanding. Empty homes. Cherished memories were dust on the windowsills. A mischievous wind carried hints of laughter and joy. But inside the cabins are only cobwebs and dust. It must have been hard to leave this beautiful place when airplanes replaced riverboats in the 1940’s.
We only traveled seven miles down the Koyukuk River but our boat took us back a hundred years. Gordon Bettles chose this site in 1896 to establish his trading post during the gold rush. It was as far as the old riverboats could navigate.
One of the buildings catch my attention. My friend reminisced, “We used to come here on snow machines in the winter and danced all night”. The General Store appeared to bow in acknowledgment. The dance floor had been removed but the old weathered walls held onto memories of festive days.
Her story made my choice of subject matter easy. I firmly plant my easel in front of the General Store and spill all the contents of my bag onto the ground. Paint tubes, palette, brushes, water, clips, mosquito repellant, sunblock. I went right to work. Old bottles peek at me from the windows. I study the weathered sheet metal and signage. Fireweed dance in the breeze along with the golden birch leaves. A perfect day to soak up local color and paint wildly on a sunny September day in Old Bettles.
Spending the day here made me feel close to the people who had lived in Old Bettles. I don’t know them by name but I feel a kinship from spending time behind an easel in the shadow of their homes on the Koyukuk River. I share that connection with you.
I drove thirty nine miles out of town this week and did an oil ‘sketch’ of a pond and beaver dam. Painting is a great excuse to sit quietly and enjoy the landscape while surrounded by bird songs and watching ducks float by. The light kept changing as the sun hid or came out from behind the clouds. I was intrigued by this beaver construction but didn’t get to see the architect that day.