Alaskan Raven Studio

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The making of a rainy day watercolor

September 14, 2012 by alaskanraven

Downpours of rain formed translucent curtains across the valley.
How could those shapes and colors be expressed in a painting?

Dark blue pigment with a touch of orange, then more blue flowed into the fibers of the paper. The wet fibers expanded but held onto the different pigments. Yellow ochre, cerulean blue, ultramarine blue, cadmium orange. More water. Clear water softened the edges. Colors were moved back and forth as the brush searched for the right shape and texture. A dry brush picked up pigment and exposed the white paper. Puddles of paint slid into new areas, mixed, spread and made surprising effects. Some puddles were left untouched to change some more before they dried.

THIS IS THE MAGIC OF WATERCOLOR
Work quickly, go after a plan but be aware of what the paint does on it’s own. Evaluate the surprises. The quick change of direction or too long a hesitation will make or break the success of the painting. Paint changes as it dries on the paper but there is time to alter it while it’s still damp. An intentional brush can make an impact if carefully done.

Put a wash of deep pigment onto the paper that appears too dark so it will dry to the right value. This is a continual challenge. If it dries too light, a second wash of color will darken it but put on too many layers and the wash looks dead and uninteresting.

This time, the colors remained interesting when they dried. The colors worked well together and the tree shapes were formed by the pigments intertwining. I left them alone and gambled that they would look ok when they dried. This time they did.

TIME FOR A BREAK
This is one of the most important parts of the painting process. STOP and LET IT BE. Walk away. Do something else. Do this BEFORE you think it is done. BEFORE you have overworked the painting. I know this only because I have overworked MANY paintings. Soften the edges of the washes before you stop so you can come back later and and add to it.
The following painting was stopped. I took a picture of it and left the room.
When I returned I spent some time thinking about it and decided to add the foreground, darken the clouds and make some other small adjustments.

Is it better? You will have to be the judge of that. I like it better. The contrast of the foreground golden trees complements the cool tones of the valley. The darker clouds appear more ominous and capture more of the mood that I was trying to achieve.

You can see more of my paintings in this gallery.

Filed Under: Uncategorized Tagged With: alaskanravenstudio.com, autumn, Landscape, pigment

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contact me with questions or comments

Alaskan Raven Studio
PO Box 80231
Fairbanks, Alaska 99708
USA
alaskanblackbird@yahoo.com

 

Represented by:
Well Street Art Co.
1302 Well Street
Fairbanks, Alaska
907 452-6169

Stephan Fine Arts
939 West 5th Ave.
Anchorage, Alaska 99501
USA
(907) 274-5009
http://www.stephanfinearts.com/

more about Raven

I ventured to Alaska before there was an oil pipeline and fell in love with the gnarly spruce trees, intense weather and mountains I could touch. Very different from the landscape in St. Louis. I was looking for different. The spruce trees: those scraggy, wizened, lanky conifers danced onto the first page of my sketch […]

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